The artwork of glassblowing dates again hundreds of years. The required talent and management drew reward for hundreds of years as each a technical feat and a type of artistic expression. In hashish tradition, glass is a logo formed by many years of creativity, rebel and innovation. Robert James Raymond, a.okay.a. Drakken Glass, a self-taught artist primarily based in Las Vegas, represents that legacy by pushing the bounds of what glass could be.
Raymond says his love of glass started in childhood when he collected marbles and Venetian glass beads and turned them into jewellery. By 2007, his curiosity was dedication. With $1,000 and no formal coaching, he purchased a torch, arrange a modest workspace and started experimenting. “I wasn’t introduced into any individual’s studio,” he says. “I simply purchased the instruments and began experimenting.”
That impartial mind-set is a part of hashish’ counter-culture roots. Earlier than legalization, glass was a key a part of how hashish was used and expressed. “Glass and hashish grew collectively,” Raymond says. “The artwork helped push the tradition ahead.”
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